TOR is urban and kinetic. A raised runway extends from the stage deep into the crowd, lined with neon-lit motorcycles that become part of the performance itself. Blue-white industrial light, LED floor panels, a geometry that makes 70,000 people feel like they're inside a single machine moving at speed.

ROUGE strips that geometry to its most elemental. Same stage, same structures — but saturated entirely in red. Beam lighting carves the smoke into columns. The performer becomes a silhouette at the centre of something that feels like a ritual under red cathedral light.

UFO The third concept goes somewhere else entirely. Giant translucent organic inflatables - bioluminescent, barely containable, like creatures from deep water, float above the crowd while green lasers radiate from the stage below. The artist rises on a floating LED platform, torch raised, surrounded by 70,000 green phone lights turned upward. Of the three, this is the most technically ambitious. Nothing quite like it exists on a French stage yet.